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Francisco Goya La Leocadia oil painting


La Leocadia
Painting ID::  38310
Francisco Goya
La Leocadia
mk132 1820-23 Oil on plaster transferred to canvas 147x132cm

   
   
     

Francisco Goya The Dog oil painting


The Dog
Painting ID::  38311
Francisco Goya
The Dog
mk132 1820-23 Oil on plaster transferred to canvas 131.5x79.3cm Museo del Prado Madrid

   
   
     

Francisco Goya Cudgel Fight oil painting


Cudgel Fight
Painting ID::  38312
Francisco Goya
Cudgel Fight
mk132 1820-23 Oil on plaster transferred to canvas 125.1x261cm

   
   
     

Francisco Goya Fantastic Vision or Asmodea oil painting


Fantastic Vision or Asmodea
Painting ID::  38313
Francisco Goya
Fantastic Vision or Asmodea
mk132 1820-23 Oil on plaster transferred to canvas 127x263cm Museo del Prado Madrid

   
   
     

Francisco Goya Eugene Delacrois after Capricho 8,Que se la llevaron oil painting


Eugene Delacrois after Capricho 8,Que se la llevaron
Painting ID::  38314
Francisco Goya
Eugene Delacrois after Capricho 8,Que se la llevaron
mk132 pen and ink,brown wash and pencil 10.7x17.5cm

   
   
     

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     Francisco Goya
     1746-1828 Goya is considered the 18th Century's foremost painter and etcher of Spanish culture, known for his realistic scenes of battles, bullfights and human corruption. Goya lived during a time of upheaval in Spain that included war with France, the Inquisition, the rule of Napoleon's brother, Joseph, as the King of Spain and, finally, the reign of the Spanish King Ferdinand VII. Experts proclaim these events -- and Goya's deafness as a result of an illness in 1793 -- as central to understanding Goya's work, which frequently depicts human misery in a satiric and sometimes nightmarish fashion. From the 1770s he was a royal court painter for Charles III and Charles IV, and when Bonaparte took the throne in 1809, Goya swore fealty to the new king. When the crown was restored to Spain's Ferdinand VII (1814), Goya, in spite of his earlier allegiance to the French king, was reinstated as royal painter. After 1824 he lived in self-imposed exile in Bordeaux until his death, reportedly because of political differences with Ferdinand. Over his long career he created hundreds of paintings, etchings, and lithographs, among them Maya Clothed and Maya Nude (1798-1800); Caprichos (1799-82); The Second of May 1808 and The Third of May 1808 (1814); Disasters of War (1810-20); and The Black Paintings (1820-23).

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